So spells are clearly a witches thing. Or also used in several cultures for healing etc. However, not many newer witches understand what a spell really is or how they really work. Heck, probably half of the community knows. I don’t think I am the only correct source, so please do look around and get more information.
Let’s get started.
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What Is a Spell?
a form of words used as a magical charm or incantation; a state of enchantment caused by a magic spell; an ability to control or influence people as though one had magical power over them(google).
For our sake, a spell is simply used with words, ingredients, items and writing. Not all have to be involved though. And most of the time they aren’t used by everyone.
Do Spells Work?
For the most part? Yes. They do. However, sometimes they won’t and that’s okay too. It just means you need to do something different or figure out how it could have gone wrong.
What if a Spell Goes Wrong?
Try a spell reversal. A lot of people have resources on this, it’s a good thing to research especially before you start spell casting.
What Can Be a Spell?
Anything. A spell for bringing love to you all the way to cursing someone who has wronged someone else. These all account as spells.
Should I Use Protection?
Ignore how I worded that. But yes. You should use any form of protection you can from tailsmans to casting a circle. Even a small chant will be better than nothing.
A Spell of Mine Didn’t Work… What Do I Do?
Take notes on what happened. Give it more time to fully manifest. Be Patient. If you feel it genuinely didn’t work you can try again, but do give it time. It might not have worked in the way you wanted it to.
How Do Spells Work?
Most of the time it’s all about energy, intent, visualizing the outcome you want, and manifesting it. While you don’t inherently need tools or ingredients(some will say otherwise) they can be helpful to give your spell an extra oomph you need especially if you don’t have a lot of energy yourself.
What Do I Need For Spells?
A Book and a Pen. All to take notes and write out your spell. Again, you don’t need anything at all for spell casting. They may be helpful, but not needed at all.
For the most part yes. The ones posted are usually meant to be used for others to help them. I typically use the spells posted to help me make my own though so it’s up to you.
How Do I Know My Spell Worked?
Did the outcome you want come? Then yes. If your unsure then go search out some answers. Tarot, or some other form of divination can be helpful.
Are Spells and Rituals the Same?
In my own personal opinion? No. To others they may be the same, but for me they have different energies. A ritual is set in stone, copied almost every time you reach a certain point. A spell is something you can do on a whim. But again. My Own Opinion. Others may have something else to say about that. It’s good to look into it though.
How Do I Write My Own Spells?
Here’s a little template for you to help as I’m not the best at wording most of the time:
1. A title for your spell
2. The Intentions you have for the spell
3. The Date, time and Moon Phase(moon phase and time are optional. Date is helpful.)
4. The Items/Ingredients you need(if any at all)
5. Any words/chants you plan to use or used.
6. Instructions!
Anyways, I wouldn’t take too much spell writing advice from me as I usually write out my spells after I cast them.
Again, I’m not a full expert on this process. I probably never will be, but I hope this is slightly helpful for those who are trying to figure it out.
I see so many people ask about what’s needed on a Hellenic altar or shrine, so I thought I’d share what I do real quick, since I changed up the altars in my house today.
The Most important thing in my altars and shrines is a bowl, plate, or chalice for offerings. knotted-vines and I have purple wine glasses, carnival glass chalices with grape designs on them, a clear glass dessert bowl on a stem, and a tiny silver ashtray I picked up at an antique shop that has grape designs that we alternate as offering dishes.
The next thing I try to have at my altar is a representation of the deity that altar is dedicated to. For the two of us, this usually consists of flowers that are sacred to Dionysus or Persephone. For Dionysus we also add ivy, and will usually use an old wine bottle as a vase. We also have a jar of amethyst shards we’ve been collecting from Micheal’s for years, and we use that to represent Dionysus too. This doesn’t have to be an image of your deity. Aphrodite? Try using shells. Hera? Peacock motifs are popular right now. Athena? Owls, shields, books, the list goes on. Hermes? A nice pair of shoes maybe.
Those are the two elements I try to always incorporate. When my altar was nothing but a little wooden box in the back of my closet, I kept my jar of amethyst and a shot glass in it. Those two things were all I needed to feel like I’d set up an altar.
Some other items I like to include are still functional and important though. I’ll usually place either candles or an incense holder on my altar. They can be used in katharmos, and add a nice feel to any ritual I do. When I decide to use a candle instead of incense I will usually go with one plain candle that I’ll light while I cleanse the area. When I go with incense I like to use incense cones, but that’s just me.
I also have a nice pitcher that I can use to hold khernips, but I don’t typically include it at my altar. I’ll include it when I set the whole table as an altar, and add a bowl so you can do the whole thing where you pour khernips over your hands and the water goes into the bowl. Otherwise though, when I use khernips I’ll typically just make a bowl of it and wash my hands and face with that. I don’t think it’s necessary to have khernips at your altar though.
Everything beyond that is just regular old decoration. I’ll sometimes include an altar cloth if I feel like it. I may also include candles and lights that are just to look pretty, not to be lit.
If you are planning on using it as a shrine, then you don’t need to worry too much about leaving any free space. If you’re wanting an altar, then I recommend leaving enough room near the front of the altar that you can prepare a bowl of khernips there. If you can prepare khernips on your altar then you should have room to do just about any other altar work you may want.
I’m pretty excited about this topic. Y’all have heard me talk about miasma a bit before, but this is gonna be kind of a long one. So, hellenicroundtable asked “How do you define miasma, how does it relate to your Hellenic practice, and how do you deal with Miasma?” Let’s get started, shall we?
How do you define miasma?
Miasma isn’t an easy thing to define. Ask twenty people and you’ll probably get twenty different answers. For me, it’s easier to talk about miasma in terms of what it both is, and what it isn’t, rather than to straight up say “it’s this.” Miasma doesn’t have a translation. We don’t have a word for it in english. Rough translations put it at meaning “stain” or “pollution”, but those don’t convey the spiritual, religious, and social connotations of miasma.
It’s important to note that miasma is not akin to sin. It’s not a bad thing, it’s not something you gain from doing bad things, and it’s not some kind of punishment. Miasma is a natural force, a natural occurrence, the same as sweating.
We gain miasma from every day, mundane occurrences. We gain miasma from human activities. Birth, death, illness, work, all of these things bring on miasma. It’s a badge of our humanity. It isn’t a bad thing at all, it’s a sign that we are human.
Miasma, in my own experiences and practices, are best described as the emotional and spiritual gunk of humanity. It’s the things that stick in our minds and weigh us down emotionally, keeping us firmly rooted in our humanity, and the mundane world around us. It’s my opinion and educated hypothesis that miasma doesn’t so much make us unworthy of the theoi, as it distracts us from their presence. My reasoning for this is as follows:
plenty of people report being approached by and working with the theoi with no concept of miasma and ritual cleanliness.
classical literature and stories rarely make mention of heroes cleansing their miasma before being visited by the theoi, while taking time to mention it in ritual settings for those same heroes at different points in their stories.
different practices use traditionally miasma inducing activities, taken to an extreme, as a means of personal cleansing. As an example, look at this passage from Aristotle on the Art of Poetry, “At any rate the Dionysus ritual itself was a katharmos or katharsis–a purification of the community from the taints and poisons of the past year, the old contagion of sin and death.” [and more(all be, not much more) on Dionysian rites and katharsis here if you’re interested]
Which brings us to the next question.
How does miasma relate to your Hellenic practices?
I have a complicated relationship with miasma. On the one hand, it’s a strong symbol of my humanity. On the other hand, it distracts me from the theoi, and can make me feel more distant from them. A notable exception to that being Dionysus. Dionysus seems to embrace the humanity of his followers, rather than be dismissive of it, and if anything, I feel him stronger when I’m steeped in miasma. This is where part of my complicated relationship with veiling comes in as well, but we’ll get to that in the next section.
Miasma, being a sign and result of my humanity, isn’t something I’m going to be completely rid of, ever. I’m not a deity, I’m not a hero, I highly doubt that I’ll ever be elevated to any sort of recognition by the theoi, and I don’t aim to be. Would I be honored? Yes. But is it my place to desire that? I don’t feel so.So, having miasma is something that just is, like the fact that I have hazel eyes. It’s not ever going to change in any permanent way.
However, removing miasma, temporarily as it is, helps me to feel closer to some of the theoi. Removal of miasma and keeping it off as much as possible is important to me for feeling close to Persephone and Amphitrite. As I’ve paid more attention to miasma lately, and cleansing, I’ve felt closer to those two. It hasn’t affected my relationship with Dionysus, and so regular cleansing is something I’m still getting in the habit of, but is a step that I’m taking in my practice. It isn’t central to my practice, but it’s in the top five things probably. The significance of miasma in my practice definitely varies with which theos I’m approaching though.
Removing miasma also helps me to move on from emotional distress. I’ve managed to prevent a panic attack once by stopping and cleansing. It pulled me away from the stress and anxiety I was feeling, pulled me away from the unhealthy excess of miasma due to my mental health, and calmed me down. Reminding myself that the theoi are there, present in my life, and making myself presentable for them has helped a lot with my anxiety.
How do you deal with Miasma?
There are plenty of ways to deal with miasma. And I probably use all of them to varying degrees and in different situations. So let’s just analyze each one.
Khernips- Also known as lustral water or sacred water. Khernips are made from plunging burning herbs (usually of a cleansing variety such as rosemary) into water. Spring water and ocean water are traditional options for the water used, I suggest just making sure it’s clean and you can certainly add salt if you want since salt has cleansing connotations in our society. Anyway, you thrust the burning herbs into the water and being declared as clean and sacred. Khernips should be made fresh, or at least prepared the same day. The most common way of using khernips is to wash your hands and face, and sprinkle it around an area to remove miasma. Classically, it was used as an easy and quick way for people entering a temple to clean themselves of miasma. I’ll prepare khernips for rituals and festivals, but on a day-to-day basis it tends to amount to me washing my hands before i pour libations.
Barley- Barley is used as a cleansing agent in Hellenism. Items stored in barley are supposed to be protected from miasma. You can also throw barley onto your altar to cleanse it. Barley is used primarily for cleansing a space or item, rather than a person. I personally don’t use barley, as there are other ways for me to cleanse items without using food products.
Incense- Used for purification, rather than just scent, incense was/is popular for cleansing a space or room of miasma. I tend to use incense to cleanse my altar. When I make an offering, I’ll light incense on my altar prior to making an offering.
Katharsis and Katharmos- Katharmos and katharsis are ritual means of cleansing that typically involve several steps. The most basic formula for katharmos is to cleanse the person doing the cleansing with khernips, cleanse the space with barley and incense, cleanse the offerings with khernips, and then cleanse the attendees. I’ve done it this way three times in my practice, all for big rituals. As a Dionysian, I’ll be the first to tell you though, that mundane activities can be used to cleanse yourself in a deep an meaningful way. Dancing, singing, drinking, having sex until you feel cathartic from the release of emotions is a form of katharsis, and one I use frequently.
Veiling- Veiling is used in my practice to keep off miasma. It’s a physical reminder of the theoi, and so it keeps me focused on them, and I don’t allow myself to be as easily distracted by mundane things that induce miasma. I veil in ritual for most of the theoi, and I’ve started veiling (occasionally) outside of ritual for Persephone. I never veil for Dionysus. To me, it feels disingenuous to veil and try to keep of miasma for Dionysus. He is wild, passionate, and consuming. He loves humans, and it feels shameful to me to veil before Dionysus, like I’m trying to hide my humanity from him somehow. He does not seem to approve of me veiling when I honor him, but he doesn’t seem to mind when I veil for other theoi. So I veil for Persephone, and I don’t veil for Dionysus. Veiling serves to keep me close to Persephone and other theoi throughout the day, and it seems to (at least for me) help keep my emotions and anxiety in check.
gold, obsidian, ruby, muscovite, fire opal, garnet, smoky quartz
“Hephaestus is the god of fire, especially in so far as it manifests itself as a power of physical nature in volcanic districts, and in so far as it is the indispensable means in arts and manufactures, whence fire is called the breath of Hephaestus, and the name of the god is used both by Greek and Roman poets as synonymous with fire. As a flame arises out of a little spark, so the god of fire was delicate and weakly from his birth, for which reason he was so much disliked by his mother, that she wished to get rid of him, and dropped him from Olympus.” – theoi.com
Part 3: The traditional names given to each of the popular English playing cards.
I refer to this list for various workings and cartomancy. For example, if you’re in a home without hob (house spirit, brownie, bogart, hobgoblin etc.) and you wish to contract with one (not typical but not unheard of. I can write about hob’s in a future post if ya’ll like.) then you could take the heart of fours (Hob Collingwood) and post it facing out of a front facing window. You would keep it there until the hob arrives and you settle on terms.
Other ways you can use playing cards are with image magic and as surrogates.
If you scroll back, I made a post about how to make your own spell cards. When you use that method, the number of cards in your deck is doubled (as it separates the face from the card backs). I always use those faces for ‘throw away’ spells. Spells I leave places, give to people, burn, and etc.
fair--y backup 